An anthology of writings from one of Britain's most respected Fortean authors, covering everything from UFOs, to the Rolling Stones, and from psychedelic drugs to ancient fertility symbols, the Incredible String Band, and government cover-ups.
A new and revised edition of the seminal tome Folk Horror Revival: Field Studies. A collection of essays, interviews and artwork by a host of talents exploring the weird fields of folk horror, urban wyrd and other strange edges. Contributors include Robin Hardy, Ronald Hutton, Alan Lee, Philip Pullman, Thomas Ligotti, Kim Newman, Adam Scovell, Gary Lachman, Susan Cooper and a whole host of other intriguing and vastly talented souls. An indispensable companion for all explorers of the strange cinematic, televisual, literary and folkloric realms. This edition contains numerous extra interviews and essays as well as updating some information and presented with improved design. 100% of all sales profits of this book are charitably donated at quarterly intervals to The Wildlife Trusts.
Contrary to popular belief, LSD is much more connected to Britain than it is to the USA. This engaging book looks at the use of LSD in British society, from its arrival in 1952 to the present day. It provides a hidden history of a controversial drug and how it permeated British culture. The author explores LSD’s use by the medical profession in treating a variety of psychological and mental problems. At the same time, The Ministry of Defence believed they were on the brink of harnessing LSD as a battlefield incapacitation drug which would enable wars to be won without loss of life. But LSD’s popularity rose with its use among the British counterculture, from the 1950s beatniks through to the late 80s acid house parties. At its height, when it was legal, LSD affected the lives and philosophies of significant individuals (politicians, scientists, writers, educators, entertainers, artists, journalists) as well as ordinary people for good and bad. This book is the first to explore LSD’s amazing influence on British culture and society.
'Mike Heron, as part of the Incredible String Band, changed the way I looked at music. Read it!' Billy Connolly 'Mike Heron's lyrics always sparkled with wit and warmth and his prose is a delightful continuation. The book evokes a smoky, unheated eccentric Edinburgh that was a crucible for so much creativity.' Joe Boyd, author of White Bicycles This singular book offers two harmonising memoirs of music making in the 1960s. Mike Heron for the first time writes vividly of his formative years in dour, Presbyterian Edinburgh. Armed with a love of Buddy Holly, Fats Domino and Hungarian folk music, he plays in school cloakrooms, graduates to rock, discovers the joy of a folk audience, starts writing songs, tries to talk to girls, wishes he was a Beatnik all while training as a reluctant accountant. When asked to join Robin Williamson and Clive Palmer, the Incredible String Band are formed - and their wildly innovative, astounding music became indelibly linked with the latter Sixties. Andrew Greig was a frustrated provincial schoolboy when he heard their songs. It changed everything. Undaunted by a lack of experience and ability, he formed a band in their image. Fate & Ferret populated back-country Fife with Pan, nymphs and Apollo, met the String Band and caught the fish lorry to London to hang around Joe Boyd's Witchseason office, watching at the fringes of the blooming Underground scene. It was forty years later that he and Mike became friends. These entwined stories will delight anyone who has loved the Incredible String Band; and their differing portraits of that hopeful, erratic and stubborn stumble towards the life that is ours will strike a chord with everyone.
Sculptural Materiality in the Age of Conceptualism is structured around four distinct but interrelated projects initially realized in Italy between 1966 and 1972: Yayoi Kusama?s Narcissus Garden, Michelangelo Pistoletto?s Newspaper Sphere (Sfera di giornali), Robert Smithson?s Asphalt Rundown, and Joseph Beuys?s Arena. These works all utilized non-traditional materials, collaborative patronage models, and alternative modes of display to create a spatially and temporally dispersed arena of matter and action, with photography serving as a connective, material thread within the sculpture it reflects. While created by major artists of the postwar period, these particular projects have yet to receive substantive art historical analysis, especially from a sculptural perspective. Here, they anchor a transnational narrative in which sculpture emerged as a node, a center of transaction comprising multiple material phenomenon, including objects, images, and actors. When seen as entangled, polymorphous entities, these works suggest that the charge of sculpture in the late postwar period came from its concurrent existence as both three-dimensional phenomena and photographic image, in the interchanges among the materials that continue to activate and alter the constitution of sculpture within the contemporary sphere.
Imagination is a word that is widely used by marketing practitioners but rarely examined by marketing academics. This neglect is largely due to the imagination's 'artistic' connotations, which run counter to the 'scientific' mindset that dominates marketing scholarship. Of late, however, an artistic 'turn' has taken place in marketing research, and this topical study argues that the mantle of imagination has now passed on from the artist to the marketer. It contends, moreover, that the tools and techniques of artistic appreciation can be successfully applied to all manner of marketplace phenomena. Key features include: * the treatment of artistic artefacts as a source of marketing understanding * a detailed discussion surrounding the argument that marketers should adopt more imaginative modes of academic expression * an analysis of the kind of art that marketing is, and the place of imagination in marketing's artistic palette. This book provokes a new way of thinking about marketing, and will prove invaluable to marketing academics, researchers and practitioners.
Bringing elementary logic out of the academic darkness into the light of day, Paul Tomassi makes logic fully accessible for anyone attempting to come to grips with the complexities of this challenging subject. Including student-friendly exercises, illustrations, summaries and a glossary of terms, Logic introduces and explains: * The Theory of Validity * The Language of Propositional Logic * Proof-Theory for Propositional Logic * Formal Semantics for Propositional Logic including the Truth-Tree Method * The Language of Quantificational Logic including the Theory of Descriptions. Logic is an ideal textbook for any logic student: perfect for revision, staying on top of coursework or for anyone wanting to learn about the subject. Related downloadable software for Macs and PCs is available for this title at www.logic.routledge.com.
Offers reviews, comments, and production credits for films about rock music, musicals with rock scores, movies featuring rock stars as actors, rock documentaries, and films with influential rock soundtracks
This guide is a collection of engaging and provocative capsule reviews of films across the spectrum of cinema history, from Russian silent movies to American comedies, classic documentaries to Japanese anime, and beyond.
What happened on Judgement Day? Do we have Martian ancestors? Will we blow up the world? In this collection of his best SF stories, Edmund Cooper gives his own inimitably entertaining answers to these and other such intriguing questions. From The Death Watch to The Brain Child, Cooper 'considers possible scenarios'. Sometimes he is serious, sometimes satirical. Sometimes he is uncomfortably close to the truth.